Harriet | by Richard Brody – The New Yorker

We saw Harriet the other night, and we loved it. It was criticized on Rotten Tomatoes for not being very violent, and being somewhat a traditional adventure story. That’s our kind of film. The score at Rotten Tomatoes was a 74, but the audience reviews were at 97!  Metacritic is similar, with a score of 66, but the New Yorker was assigned a 90.

Here is the New Yorker review:

 

“The intensity and the lyrical fervor of Kasi Lemmons’s direction lend this historical drama, about Harriet Tubman’s escape from slavery and her work with the Underground Railroad, the exalted energy of secular scripture. The action begins in Maryland, in 1849, where the enslaved Araminta Ross (Cynthia Erivo) is granted permission to marry the freeman John Tubman (Zackary Momoh). When she is denied the freedom that she’d been promised, she risks her life to flee to Philadelphia. Taking her mother’s name, Harriet, she returns covertly—and armed—to guide her relatives to freedom, and is pursued by her former master and his posse. Then, after the Fugitive Slave Act is passed, in 1850, Northern cities no longer insure safety. The movie, written by Lemmons and Gregory Allen Howard, presents a gripping and wide-ranging view of her activity—including her work with a daring black clergyman (Vondie Curtis-Hall) and the black abolitionist William Still (Leslie Odom, Jr.), who devotedly records the stories of the formerly enslaved—and her inner life, featuring depictions of the virtually prophetic visions that guide her in her mission.— Richard Brody”

Source: Harriet | The New Yorker

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