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Foxfire is a play with songs, book by Susan Cooper, Hume Cronyn, music by Jonathan Brielle (Holtzman) and lyrics by Susan Cooper, Hume Cronyn, and Jonathan Brielle. The show was based on the Foxfire books, about Appalachian culture and traditions in north Georgia and the struggle to keep the traditions alive. The 1982 Broadway production starred Jessica Tandy, who won the Drama Desk Award for Outstanding Actress in a Play and the Tony Award for Best Actress in a Play for her performance. It costarred Hume Cronyn as well as Keith Carradine who played a country music performer selling out the old traditions to make a buck. Carradine sang most of the songs in the show and most notable were the close of Act 1, “My Feet Took T’ Walkin’.” It was later adapted as a TV movie, where Tandy played the same role and won an Emmy Award. Carradine was replaced with John Denver for the Hallmark movie. Other songs in the show included: “Sweet Talker,” “Dear Lord,” “Young Lady Take A Warning,” and “Red Ear.”
Source: Foxfire (play) – Wikipedia
“TKTS TKTS, that discount-ticket mainstay of Times Square, also has outlets at Lincoln Center, at South Street Seaport and in downtown Brooklyn. The Times Square booth has the longest hours, but it’s the only location that sells same-day matinee tickets. (The other locations sell same-day evening but only next-day matinee tickets.) On the TKTS app, or online at tdf.org, you can see in real time which shows are on sale, and for how great a discount at each location. But that doesn’t mean there will be any seats left for the show you want by the time you get up to the window, and you have to buy them in person. The Times Square booth is the most crowded, especially right after it opens, when options are most plentiful. But new tickets are released all day, even as curtain time nears, so going later can be lucky, too. Want to see a play rather than a musical? At Times Square, there’s a dedicated window for that, and the line is shorter.
Many shows, though not the monster hits, offer same-day rush tickets at the box office for much less than full price. Some – including “Hello, Dolly!,” “Dear Evan Hansen” and “The Book of Mormon” – sell standing-room tickets if a show is sold out. Don’t count on these approaches, because availability varies – but it’s worth swinging by the theater to check. Conveniently, Playbill keeps a running online tab of individual shows’ policies on lotteries, rush tickets (sometimes just for students, often for everyone), standing room and other discounts.In-Person LotteriesSome shows (lately including “The Book of Mormon” and “Wicked”) have in-person lotteries, where you go to the theater at a designated time on the day of the performance and put your name into a drawing for the chance to buy cheap tickets. It’s more work on your end than a digital lottery, but these tickets can be substantially less expensive than those.”
“A charming but spooky bed and breakfast in Gettysburg, Pennsylvania hosts two young people struggling to hold their relationship together in a new play by Pulitzer Prize winner and MacArthur Genius Annie Baker. On at Undermain Theatre through Dec. 10, John is set during the Thanksgiving holiday and positions its characters to contend with the mystical on top of everything else.
Audiences are welcomed into a run-of-the-mill tragic bed and breakfast, as the character Elias would say. Thousands of knick-knacks watch you from the walls and tables, but opera music and floral wallpaper from your grandma’s guest room warm it up just enough to stay in the physical present. And the characters never leave this one location, the intersection of private and public, the permanent and the temporary; that space between a home and a hotel that makes B&Bs so intriguing.”
“. . . The quieter, more subtle eccentricities of Elly Lindsay’s inn mother Mertis are never overshadowed by Rhonda Boutté’s half-kooky, half-enlightened blind friend Genevieve. As for the couple, an off-kilter chemistry is key. Elias (Scott Zenreich) shuts down Jenny’s (Olivia de Guzman) playfulness as she tries to make their relationship work. He comes off as a lousy boyfriend but not a monster. The result is a believably unbalanced relationship; Elias’ rudeness and anger are overt. The very good reasons why Elias is so horribly unpleasant do nothing to make us like him more. Although, he makes us laugh.”
via Annie Baker’s Thanksgiving Retreat John Gives Ghosts Second Billing – D Magazine
Review: John | Undermain TheatreOpen now through Sun, Dec 10
Next performance today at 7:30pm
A rocky relationship crashes into a B&B stuffed with curios built over a bloody battlefield in Annie Baker’s ambitious, ambiguous John at Undermain Theatre.
by Martha Heimberg
published Wednesday, November 15, 2017
via Review: John | Undermain Theatre
My sister, Elly Lindsay, plays Mertis in this production, which has received rave reviews.