“. . . The mask should be a medical signal, not a political one. But Trump rejects the mask because of a misbegotten image of masculinity and power. In denying the mask, he denies reality, science and the fact that the country is in a crouch. Trump has proved that people wearing a mask can present more truth than people not wearing a mask.
His latest con, something that he stupidly refers to as “Obamagate,” a scandal about unmasking, is also misbegotten. You can’t create a scandal about Obama out of nothing just because you hate the fact that he went by the book while you dwell in a murky world of transgressions, that he glides while you lurch.
Even as Trump tries to paint Joe Biden as gaga, he is doing something truly gaga: He is running the government that is responding to the worst pandemic in a century at the same time he is the leader of the resistance to his own government, urging people and states to open up whenever they see fit, recommending Clorox injections, stifling Dr. Fauci, refusing to wear the mask.
The fact is that Donald Trump has been wearing a mask for a long time, like Eleanor Rigby “wearing the face that she keeps in a jar by the door.” He studied larger-than-life titans like George Steinbrenner and Lee Iacocca and invented a swaggering character called Donald Trump with a career marked by evasions, deceptions and disguises.
“He is the most vaudevillian performance artist who ever inhabited the White House,” says his biographer Tim O’Brien. “He has a consuming desire to always be center stage, yet he never wants to reveal who he really is. He masks his finances, his taxes, his friendships, his ongoing family conflicts of interest, his ignorance and his inadequacies. He’s constantly making up areas of expertise he doesn’t have.
“He doesn’t read the Bible and he doesn’t live as a Christian and love thy neighbor. But he is demanding that the churches be reopened because his evangelical base will love that. Everything he’s doing right now is to stave off a loss in November.” . . . “